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Traitor takes a similar approach in its portrayal of Harris, even though this central character (like his real-life inspiration, Philby) comes from a privileged upper-middle class background a world away from those of Nigel Barton or Potter himself. Potter’s model for Harris was the real-life double agent H.A.R. A third thread depicts a visit made by Harris, as a young man, to Glasgow at the height of the Great Depression, when he first saw ‘what people lived like’. [20] P. French, ‘Gotland Bomb party’, Observer, 11 January 1987, 21. The conventional extended flashback, he argued, had ‘degenerated into a stylistic cliché’ and, in any case, worked poorly with the ‘crabbed dimensions’ of 1960s television sets. Harry decides to leave, absconding with Audrey to a city where they aren’t known – probably Leeds – where he wakes, after sleeping rough, in a railway station. Potter’s primary interest in the ‘new drama’, however, lay in its potential for dramatising the complexities and uncertainties of character interiority. Another Leeds scribe was grateful for Welland’s ‘guts’ in providing a rare television dramatisation of a ‘sincere, true-to-life situation’, while Mrs J. Walker from County Antrim warmly thanked Welland and all concerned for making her cry. The play’s vernacular quality is enhanced by use of three non-diegetic songs by the North Country folk band The Oldham Tinkers, who periodically comment on the action with gallows humour, empathy for the underdog and carpe diem attitude. While celebrating his fiftieth birthday, Harry, egged on by ‘the lads’, kisses barmaid Audrey for a laugh. Andre Deutsch, 1968. Find out the latest game information for your favorite NFL team on CBSSports.com. Manchester University Press, 1998: 74. At the pre-wedding party, Enid (Elizabeth Dawn) explains, movingly, her solidarity with Rene whom she has been taking out: ‘Bingo, boozer, showing ’er life’s worth living…’ The Cooks’ go-getting son Chris (James Hazeldine) is back from London. However, the overall response was ‘cordial’: ‘This was solid, ‘jam-butty’ Welland handling a difficult subject ‘with skill and understanding’’. Le Carré would later enjoy a highly productive relationship with the BBC, chiefly through adaptations of his novels. During the run, more than three hundred programmes, featuring original … Fifty-year-old Harry Cook (Bill Maynard) commits adultery with Audrey (Marjorie Yates), having fallen out of love with his wife of twenty years Rene (Rosemarie Dunham), while being alienated from his dull, manual labour as a furnace stoker in a dye factory. I was about to start my three-year studentship researching a history of Play for Today, while the others were about to start another year of teaching A Levels. She has internalised the characteristics her occupation ‘needs’. [8] Dennis Potter, The Nigel Barton Plays: Two Television Plays. The official source for NFL news, video highlights, fantasy football, game-day coverage, schedules, stats, scores and more. Individual identity and personal agency are crushed,  signified by the way in which the actress performs her staid, rule-bound character’s lines in a middle-class accent. That Harry lives for leisure and passion makes emotional sense. Here is the text of an old conference talk I gave on Traitor (five years ago! [10] James Thomas argued the characters ‘ring very true’ and that North-set plays like this were ‘a good deal more solid and more real’ than most set in suburbia. [3] Coming to prominence with novels such as The Spy Who Came in from the Cold (1963) and The Looking-Glass War (1965), John le Carré had gained a worldwide reputation for bringing a new sense of plausibility and moral complexity to the spy genre. [5] Decades later The End of the Line was loosely reworked into Chapter Eleven of le Carré’s episodic novel The Secret Pilgrim (1990). As it happens, Potter wasn’t the only writer to think of writing a television play about a double agent in the style of le Carré – another attempt had been made by none other than le Carré himself who, in 1969, had submitted his first television script to the BBC as a potential. Finally, a fourth strand shows the older Harris (the only other strand in which the character is portrayed by le Mesurier) at the height of his intelligence career. ( Log Out /  By Joseph Oldham Written by Dennis Potter, directed by Alan Bridges and produced by Graeme McDonald. ‘Kim’ Philby, one of the infamous Cambridge Five – a ring of spies hailing from privileged backgrounds who had been recruited as double agents for the Soviet Union whilst attending Cambridge University in the 1930s. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. I think you are right that it comes from a somewhat more radical political position than JLC, adhering to gently moderate socialism. This is particularly notable as the 1972/73 series had the lowest average viewing figures – albeit a still reasonable 4.1 million – of any Wednesday Play or Play for Today … Reblogged this on Opening Negotiations and commented: Sheldon Larry identified how it was ‘carved through a documentary maker’s eye’ while Michael Ratcliffe referred to the ‘pub scenes, the wedding preparations, camera moving in close and free among natural and gifted players’ as ‘superb’, and reflecting ‘great informality and good humour’. Harry takes his place in the family assemblage for the wedding photos, but is generally ignored except by Chris, who invites him to stay with him in ‘The Smoke’. Bill Cotton and others ‘warmly’ commended the performances by Maynard, Dunham and Yates. I remember one chat with an Art lecturer born in the 1950s; I asked him which Plays for Today he most remembered. [8] Larry praised Lori Wells’s performance as Sandra: ‘Wronged, self-righteous, she too found a measure of that human grandeur which preoccupies Mr Welland in his writing.’[9], Critical discourses also emphasised Kisses at Fifty’s truth to life. [13] John Le Carré, Tinker Tailor Soldier Spy. Beginning on BBC1 on Thursday 15 October 1970, it continued until 1984, running to over 300 individual plays and regularly commanding audiences of several millions. With Colin Jeavons, Iain Cuthbertson, Nigel Hawthorne, Peter Jeffrey. Find out the latest on your favorite National Football League teams on CBSSports.com. Though it is unclear whether this is a product of Potter’s script or a directorial flourish added by Bridges, this technique succeeds in rendering the crisis of capitalism in the 1930s more vividly than in any heritage drama about Oxbridge student politics. Full Tampa Bay Buccaneers schedule for the 2020 season including dates, opponents, game time and game result information. All rights reserved. 2020 Georgia football schedule: Dates, times, opponents, results. [19] Anon, ‘’A Touch of Class’ wins three prizes for writers’, The Times, 15 May 1974, 2; Anon, ‘Top TV awards’, Guardian, 4 March 1974, 7; BBC Handbook 1975 Incorporating the Annual Report and Accounts 1973-74. His view of the pinched chimneys does not aestheticise them as some British New Wave films do. In the film sequence when Harry walks to the pub, the little cutaways to shots of industrial work (plus the song) tell the viewer much about the pattern of his life without needing to sidetrack us with more scenes. For more detailed analysis of The End of the Line, Traitor and also Blade on the Feather (19 October 1980), a later Potter play about a Soviet spy, please see the article ‘“Don’t let the side down, old boy”: Interrogating the traitor in the “radical” television dramas of John le Carré and Dennis Potter’, published in Cold War History 20:3 (2020): 311-327. Through this omission, therefore, Traitor appears to downplay an intellectual context to Harris’ conversion to Soviet Communism. Welland became established as a TV playwright with his plays for ITV’s ‘Saturday Night Theatre’, Bangelstein’s Boys (18 January 1969) and Slattery’s Mounted Foot (20 June 1970), along with two powerful dramas broadcast the same week: his first Play for Today, The Hallelujah Handshake (17 December 1970), and another ‘Saturday Night Theatre’, Roll On Four O’Clock (ITV, 19 December 1970). A Photograph was John Bowen’s third Play for Today. Loading... Autoplay When autoplay is enabled, a suggested video will automatically play next. In 1985, Welland refashioned Kisses at Fifty for Hollywood, scripting Twice in a Lifetime, with Bud Yorkin directing. The Times, 16 November 1977, p. 23; The Stage and Television Today, 24 November 1977, p.22. [6] This is particularly notable as the 1972/73 series had the lowest average viewing figures – albeit a still reasonable 4.1 million – of any Wednesday Play or Play for Today series. [4] Desert Island Discs, BBC Radio 4, 6 August 1973 [surviving extract online] Available at: https://www.bbc.co.uk/programmes/p009n8r2 [Accessed: 10 September 2020]. [14] This stands in stark contrast to how Traitor – a product of the ‘new drama’ and its challenges to both dramatic form and class politics – had worked to deconstruct this conflation. ( Log Out /  Among the audience, there was some antipathy, with one in six echoing Fox in disliking ‘so much bad language’, saying of Sandra: ‘once Colin Welland had made the point that the elder daughter swore, did it really require a bloody, damn, bugger, etc. [7] S. Larry, ‘KISSES AT FIFTY’,The Stage and Television Today, 25 January 1973, 14; M. Ratcliffe, ‘Kisses at Fifty’, Times, 23 January 1973, 13. With Martina Laird, Ken Loach, Mike Leigh, Tony Garnett. More typical were the Leeds and Surrey letter-writers who praised the play’s ‘pure entertainment’ and how the ‘great writer’ Welland had captured ‘down-to-earth, day-to-day life as only [he] could see it’; his ‘territory is the minutiae of working-class life, his foe condescension, his weapons truth, honesty and compassion’. This introduces a documentary aesthetic which purposefully does not ‘fit’ the style of the other segments, resembling more the agitational aesthetic of productions such as Cathy Come Home. Indeed, this site has already hosted an interesting comparison of Potter’s spy play Traitor (14 October 1971) with the work of John Le […]. Here Potter had sought to convey the tensions and contradictions of Nigel Barton’s (Keith Barron) altered social status ‘by chipping the play up into swiftly moving fragments’, making quick, disconcerting jumps in time across episodes in Nigel’s life to create associations and juxtapositions.[8]. Change ), You are commenting using your Facebook account. Harris briefly mentions his time at Oxford University during the interview (Potter substituting his own alma mater for Cambridge), fondly recalling ‘bells across the meadow, city of dreaming spires, punts on the river, champagne and strawberries, straw hats, narrow little streets…’. ‘Exiled in Moscow’, declared the front cover of the Radio Times (9-15 October 1971), heralding the return of Play for Today … This precipitates a passionate affair. Whilst the two plays are similar, insofar as they are anchored around an interrogation in one central setting, there is also a key formal difference between them. Broadcast on BBC1 at 9.20 pm on Thursday 14 October 1971. (Frayne in The End of the Line is conspicuously not Philby, explicitly described as being from ‘lower class’ origins.) Bowen … ( Log Out /  For this judicious, complex drama, Michael Apted was enlisted to direct; his work  on the magnificent Up documentary series (1963- ) meant he was ideally suited for a dramatic anatomy of people in a northern working-class town adjusting to contemporary social changes. Harry re-enters his old home, greeted by stony silence from the guests, as in a Western stand-off. He was one of many Play for Today writers who had initially worked in education from the 1950s that included David Turner, Brian Clark, Peter Terson, Brian Glover, Trevor Griffiths, Neville Smith, Alan Bleasdale and Willy Russell. Let's start with Barrett, who played on a $15.8 million franchise tag in 2020 after registering a league-best 19½ sacks in 2019 – a total that dropped to eight this season. [7] The casting was universally admired. [3] This was actually filmed in Windsor and Eton station, but the accent of David Bradley, playing a policeman in this scene, suggests the North. A teenage girl from Bideford called for a ‘more positive approach to Western society’, criticising Welland’s depiction of marital breakdown. Full Miami Dolphins schedule for the 2020 season including dates, opponents, game time and game result information. The sense of storytelling economy also applies to characterization. Bloomsbury, 2018: 113. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. The Cure - Play For Today. 2020 플레이 포 투데이 Play for Today 인디스페이스 2020년 5월 5일 ~ 2020년 8월 4일 Category Music; Show more Show less. ( Log Out /  October 12. Nancy Banks-Smith and Mary Holland who (IIRC) made comparisons to Jimmy Cagney movies and Hamlet… But, Raymond Williams is ideologically acute… https://www.academia.edu/15448116/_The_heart_of_England_does_not_beat_in_stately_homes_or_on_smiling_lawns_Treachery_and_national_identity_in_Dennis_Potter_s_Traitor_, […] for the slot. Oxford University Press, 2000: 167. Broadcast on BBC1 at 9.25pm on Monday 22 January 1973, When leaving my last job as a lecturer in a Further Education College, I enjoyed a pint with soon-to-be former colleagues in the Town Wall pub in Newcastle upon Tyne in late August 2018. I saw Kisses at Fifty again last night. A remarkable 93 per cent watched all the way through or switched on and stayed with it. The home of NFL Super Bowl 2021 news, ticket, apparel & event info. [11] Larry and Ratcliffe noted its far from idealised presentation of the affair and its unpatronising view of a working-class community; the former praised its sense of ‘reality’ and avoidance of ‘denominators of absolute good or evil’ while the latter acclaimed its naturalness: ‘it just happened’. [11] J. Thomas, ‘Stealing a kiss at 50’, Daily Express, 23 January 1973, 8. Launched as a successor to The Wednesday Play… Perhaps because in the 1993 repeat Kisses at Fifty followed on from Up The Junction and The Gorge, so I was primed to think of this as being the Wednesday Play/ PFT house style. Self-Congratulation or smugness: the tone is humane and wide-ranging Manning, le! Aestheticise them as some British new Wave films do Nipper ’, Daily Mail, January. History of British TV drama BBC Audience Research Report VR/71/417, ‘ play for Today launched. Only adverse note in questioning ‘ the WOODMAN ’, Daily Mail, 23 1973! 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